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Le musée de la mer In Icelandic with French supertitles

TEXT
Marie Darrieussecq

DIRECTION
Arthur Nauzyciel

by
Marie Darrieussecq

Translation
Sjon

Staged by
Arthur Nauzyciel

With
the actors of the National Theatre of Iceland

Set design
Giulio Lichtner

Lighting design
Scott Zielinski

Choreography
Erna Omarsdottir
Damien Jalet

Music & Sound design
Bardi Johannsson

production
Centre Dramatique National Orléans/Loiret/Centre, National Theatre of Iceland

Supported by Culturesfrance (program Théâtre sur mesure) and by the cultural services of the French Embassy in Iceland

Production rehearsed at  Centre Dramatique National Orléans/Loiret/Centre

THE PLAY

About THE SEA MUSEUM
Liz and Will take refuge at May and Man’s house. They come over with their two children from a besieged city, and they run out of gas. A war is on. May and Man live near the coast, they strive to maintain their museum despite the restrictions. They have left a few fish, an octopus, and a “thing”, Bella, which could be a siren, or a seal ; an unidentified living object which could also be a ghost. Bella is beautiful and she bleats, Bella is monstrous and cries like a baby. Exposed to her soundtrack, May and Man try to remain neutral, to cultivate their garden, despite the local militias. But the bombardments get nearer, and Will and Liz, or their children, also bring war. 
Marie Darrieussecq 

After directing two productions in Reykjavik starting in 2007, LE MALADE IMAGINAIRE OU LE SILENCE DE MOLIÈRE (THE IMAGINARY INVALID, OR MOLIÈRE’S SILENCE) (Molière/Macchia) and THE IMAGE(Beckett), Arthur Nauzyciel was invited by the National Theatre of Iceland to stage a production. Because they have in common Iceland, ghosts, family stories, travels at the end of the visible or invisible world, he asked novelist Marie Darrieussecq to write a play for the occasion. She wrote THE SEA MUSEUM. They thought about poet and Björk lyricist Sjon for the translation into Icelandic. Choreographers and dancers Damien Jalet and Erna Omarsdottir, musician Bardi Johannsson (Bang Gang, Lady and Bird), scenographer Giulio Lichtner and lighting designer Scott Zielinski joined the adventure as well.

Strangely enough, this “science fiction” play, written in 2007 for an audience yet to be born, resonates strongly today, as the island is hit by a crisis unheard of before. And what seemed to be a projection into the future has turned out to be stinging, red-hot news.
 
 


© Frédéric Nauczyciel


Links

Download: production file

Read: article published by L'Express.fr

Read: article published by Le Monde

Read: article published by Les Inrockuptibles

ARTE / Journal de la culture

TV report France 3 Centre

Orléans TV "Comme à la maison"