by
Marie Darrieussecq
Translation
Sjon
Staged by
Arthur Nauzyciel
With
the actors of the National Theatre of Iceland
Set design
Giulio Lichtner
Lighting design
Scott Zielinski
Choreography
Erna Omarsdottir
Damien Jalet
Music & Sound design
Bardi Johannsson
production
Centre Dramatique National Orléans/Loiret/Centre, National Theatre of Iceland
Supported by Culturesfrance (program Théâtre sur mesure) and by the cultural services of the French Embassy in Iceland
Production rehearsed at Centre Dramatique National Orléans/Loiret/Centre |
THE PLAY
About THE SEA MUSEUM
Liz and Will take refuge at May and Man’s house. They come over with their two children from a besieged city, and they run out of gas. A war is on. May and Man live near the coast, they strive to maintain their museum despite the restrictions. They have left a few fish, an octopus, and a “thing”, Bella, which could be a siren, or a seal ; an unidentified living object which could also be a ghost. Bella is beautiful and she bleats, Bella is monstrous and cries like a baby. Exposed to her soundtrack, May and Man try to remain neutral, to cultivate their garden, despite the local militias. But the bombardments get nearer, and Will and Liz, or their children, also bring war.
Marie Darrieussecq
After directing two productions in Reykjavik starting in 2007, LE MALADE IMAGINAIRE OU LE SILENCE DE MOLIÈRE (THE IMAGINARY INVALID, OR MOLIÈRE’S SILENCE) (Molière/Macchia) and THE IMAGE(Beckett), Arthur Nauzyciel was invited by the National Theatre of Iceland to stage a production. Because they have in common Iceland, ghosts, family stories, travels at the end of the visible or invisible world, he asked novelist Marie Darrieussecq to write a play for the occasion. She wrote THE SEA MUSEUM. They thought about poet and Björk lyricist Sjon for the translation into Icelandic. Choreographers and dancers Damien Jalet and Erna Omarsdottir, musician Bardi Johannsson (Bang Gang, Lady and Bird), scenographer Giulio Lichtner and lighting designer Scott Zielinski joined the adventure as well.
Strangely enough, this “science fiction” play, written in 2007 for an audience yet to be born, resonates strongly today, as the island is hit by a crisis unheard of before. And what seemed to be a projection into the future has turned out to be stinging, red-hot news.
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© Frédéric Nauczyciel
Links
Download: production file
Read: article published by L'Express.fr
Read: article published by Le Monde
Read: article published by Les Inrockuptibles
ARTE / Journal de la culture
TV report France 3 Centre
Orléans TV "Comme à la maison"
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